Catherine

We return now to Canadian photographer Sandy Phimester, and his film-based work with local models.

Catherine

While I could look at the two images here independently, and comment on the strength of each’s composition, it is the combination into a diptych that has real power. With its convergent leading lines and more pronounced contrast between subject and setting, the right-side image is quicker to draw one’s attention. The female form, is side-on silhouette, is undeniably captivating. But Catherine’s pose provides the element of direction to redirect one’s attention, back to the left, and the tighter portrait.

Therein, while the contrast is between elements within the model’s appearance; a full range of tone giving depth to her form.

The balance between the two images is, itself, masterful composition. Contrasting contrasts. Both black and white, yet so very different. Both capturing the essence of Catherine’s beauty.

There is more to the composition of an image than what is within it. There is the world it occupies…

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