Beautiful Morning

And I finally manage to catch up on the back-log with a post from another first-time-featured photographer, Adrian.

Beautiful Morning

Clearly, the dominant compositional aspect of this image is the use of negative space – the V-shaped prominence of cloud that creates a foil to direct the eye downwards, the to triplet of subtle, silhouetted subjects. That cloud reflects, duplicating the negative space within the river and thereby providing texture and foreground interest. The whole scene as we drift up the river, past the swans, is a gentle S-curve: barely perceptible to the inquisitive eye, but undeniable in the flow it induces in how one sees this colourful scene.

Also of interest is the second – more important but not quite so blatant – triangle, as formed by the line of swans and the new-risen sun. While the sun itself is very nearly centred, the slight off-centre placement allows it to act as a supporting element rather than the dominant focal point of the whole scene.

Another element, very powerful but so rarely employed, is the layers of this image: not just those resulting from cascade of hazed silhouetted, but also the horizontal stacking of cloud and water.

You might ask why the third swan, the one trailing, is more prominent in this scene. The answer is double: firstly, there is the obvious emphasis provided by its wake (which the other two lack); also, it sits on the intersection of horizontal primary golden ration, and vertical secondary (the horizon-line, beneath the buildings, sits on the primary).

A powerful composition, combined with very attractive colours. No wonder it was short-listed.

Advertisements
Comments are closed.
%d bloggers like this: